Khuda Haafiz: Chapter ll – Agni Pariksha Film Evaluate: KHUDA HAAFIZ CHAPTER 2

Khuda Haafiz: Chapter ll – Agni Pariksha Evaluate {2.0/5} & Evaluate Score

KHUDA HAAFIZ CHAPTER 2 – AGNI PARIKSHA is the story of a person attempting to guard his household. After the occasions of the primary movie, Sameer (Vidyut Jammwal) and Nargis (Shivaleeka Oberoi) return to Lucknow after the previous efficiently rescues the latter from the flesh commerce. One yr has handed. Nargis nonetheless will get nightmares of her traumatic expertise in Noman. She is taking remedy and likewise below remedy. Sameer is attempting his greatest however Nargis has change into lifeless. She has modified a number of jobs as a result of her Noman expertise and infrequently will get taunted for it. In the meantime, Deepak (Deepak Tokas), a buddy of Sameer, faces an enormous tragedy. His brother and sister-in-law cross away in an accident, leaving their five-year-old daughter Nandini (Riddhi Sharma) behind. Deepak is unable to deal with Nandini and needs to place Nandini up for adoption. Sameer stops him from doing so. He decides to undertake her and brings her house. Nargis, at first, is aloof however later warms as much as Nandini. The three begin dwelling collectively fortunately. Because of the brand new member of their household, Nandini additionally will get higher and rekindles her romance with Sameer. All goes positive till someday, Nandini is returning with Seema (Anushka Marchande), a teenage classmate in her faculty, like on a regular basis. Immediately, Basheshwar Thakur aka Bacchu (Bodhisattva Sharma) and his buddies kidnap Seema. Nandini tries to cease them and even she’s taken hostage. Bacchu, a pupil in Seema and Nandini’s faculty, had tried to woo Seema. Since Seema rejected her advances, he kidnapped her. Each the kidnapped college students are taken to a spot outdoors Lucknow. Bacchu and his buddies rape not simply Seema but additionally Nandini. Then they take them to an deserted area and are assaulted. When Sameer finds out in regards to the kidnapping and when he realizes that the cops are usually not taking the matter severely, he decides to search out the ladies himself. He efficiently manages to find each the ladies within the area. They’re taken to the hospital. Whereas Seema survives, Nandini dies. Sameer and Nargis are shattered. Sameer finds out that Bacchu is the grandson of the very highly effective Sheela Thakurji (Sheeba Chaddha). Sameer is suggested to neglect in regards to the episode and transfer on because it’s unimaginable to take motion towards her or Bacchu. What occurs subsequent types the remainder of the story.

Khuda Haafiz: Chapter ll - Agni Pariksha

Faruk Kabir’s story is clichéd and on the plot degree, it’s a routine revenge drama. Faruk Kabir’s screenplay is ok at elements however with the story being so predictable and with none twist, the writing doesn’t impress. Faruk Kabir’s dialogues are sharp in a number of locations.

Faruk Kabir’s path is respectable. He has executed a number of scenes very effectively, particularly within the first half. He additionally is aware of methods to deal with scale and improve rigidity in scenes. The detrimental characters are fairly intriguing and the way in which they get launched, one expects a crackling second half, particularly when Sameer goes on a revenge spree. Sadly, the director fails to do justice to them. The baddies get eradicated pretty simply. In truth, the style by which Sameer is ready to kill so many individuals, in India and overseas, and even will get bail, regardless of ending off a gangster contained in the jail, may be very unconvincing. On high of it, the second half has no surprises. The primary half had an fascinating twist close to the cop character. Right here, the second half is all about Sameer’s numerous killing episodes. Lastly, the violence is extraordinarily ugly and may postpone even the male frontbenchers, who normally have a style for such movies.

Vidyut Jammwal has put in loads of laborious work, and it reveals. Shivaleeka Oberoi has a positive display presence, although she is relegated to the backseat within the second half. Sheeba Chaddha is kind of menacing because the villain. Sadly, the director hasn’t carried out justice to her arc. Riddhi Sharma is cute whereas Anushka Marchande doesn’t get a lot scope. Bodhisattva Sharma is ok. Rajesh Tailang (Ravi Kumar) is great and it’s refreshing to see the character of a delicate journalist in a Hindi movie. Rukhsar Rahman (Dr Roshni Acharya) is lovely. Ritik Ghansani (Saaharsh, Seema’s brother), Ashwath Bhatt (Kamlesh Thakur) and Ishtiyak Khan (Shailendra Thakur; Thakurji’s driver) are wasted. Danish Hussain (Talha Ansari; Sameer’s cellmate within the jail), Bachchan Pachehra (Shivram, Ice-cream vendor) and Satish Sharma (Inspector Amit Tyagi) depart a mark. Dibyendu Bhattacharya (Rashid Qasai) does effectively however his character is hardly there. Siddharth Bhardwaj (Badar Khalu; Talha’s brother) and Monica Sharma (Kalki; Thakurji’s preserve) are honest. Varun Pande (Jaiswal; Jail don) is frightening. Deepak Tokas is okay.

Khuda Haafiz: Chapter ll – Agni Pariksha | Trailer | Vidyut Jammwal, Shivaleeka Oberoi

Music fails to entice. ‘Rubaru’ and ‘Chaiyaan Mein Saiyaan Ki’ are effectively shot and the identical goes for ‘Haq Hussain’. ‘Junoon Hai’ and ‘Aaja Ve’ fail to depart a mark. Amar Mohile’s background rating is best.

Jitan Harmeet Singh’s cinematography is acceptable. Faruk Kabir and Yannick Ben’s motion design, Yannick Ben, Amin Khatib, Vidyut Jammwal and Faruk Kabir’s motion choreography and Andrew Mckenzie’s stunts are very gory and filled with bloodshed. Ashwini Shrivastav’s manufacturing design is lifelike. NY VFXWaala’s VFX is neat. Preeti Sharma’s costumes are genuine. Sandeep Francis’s enhancing may have been slicker because the movie is gradual.

On the entire, KHUDA HAAFIZ CHAPTER 2 – AGNI PARIKSHA fails to succeed in the extent of the primary half and disappoints as a result of predictable storyline and disturbing motion scenes. On the field workplace, it’ll face a tricky time.

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